Friday, 31 August 2012

2012 - Getting Back To Where I Once Belonged




Since 2010 I've been working hard getting back in touch with my music as a singer/songwriter and finding my muse again.

I’ve been very lucky to reconnect with many fantastically talented old musician friends as well as making some great new ones who’ve collaborated with me on writing and recording some magical new music. So here’s a massive thanks again to Wayne, Russ & Al at MIB Music in Guildford, Sam & Alex from storming new band The Nameless Girl, uber gifted singer/songwriter and vocal coach Michelle Jones, creative guru Frank Scarito at Luca Designlife long friend and musical collaborator Jon B of electronic balladeers Cult With No Name and life long friend, online maverick marketeer / come bearded sage life advice bureau, Benny '2 Swords & a Bow' founder of The4thMarketeer.

With my amazing ‘long suffering’ family I’ve also had fantastic support, development and sage advice from the amazing Jim Jomoa at Global Music Entertainment Group. As well as securing me 3 great licensing deals with Emerge MediaAction Media Music and Deals In Music, Jim’s been helping me discover, understand and realise the music artist I want to be.

2012 so far has been the most significant year of my musical journey to date. After experimenting with different musical genres and working with a few different producers, it's been money, geography and necessity that have seen me AT LAST getting to grips with working out how to record myself at home.  Armed only with my faithful old acoustic guitar, recording mic and recently acquired MacBook I’ve recorded my latest set of songs:

Only You Can Stop The Rain                                                                                                                                                                        
Impossible Thing                                                                                                                                                                                                            
Love Not Gold                                                                                                                                                                                                                  
Might Just Get To See Heaven                                                                                                                                                                                         
For All Time

You can check them out at:

Writing these songs found me tapping into some of my earliest musical influences, artists my mum played to me whilst growing up like Scott Walker, Roy Orbison and The Righteous Brothers but also some of my favourite contemporary artists like Newton Faulkner, Emili Sande' and Adele. 2012 has also provided a wealth of lyrical inspiration too from a death in the family to wedding anniversaries and finding my muse again.

I’m currently getting ready to do some gigs before the end of the year which I’m very excited about as I can’t wait to play these new songs live! So looking forward to announcing dates online very soon.

I feel I’ve come full circle, arriving back on track I hope after a long but necessary detour, where for the first time in years I can say here’s a set of songs that are the most real, honest and true expression of me and the artist I am.

Enjoy!

Charlie x








Tuesday, 13 December 2011

Charlie James - New Songs!!!

My continuing musical journey took an exciting turn in August 2011 after a very productive meeting with my management company Global Music Entertainment Group about my future direction. Must firstly say a massive thank you to Jim Jomoa for all his support and mentoring in 2011 which has helped me develop hugely as a musician and artist.
I’d been searching for a while for a likeminded producer and song writing collaborator(s) to work with, to help me raise my game as an artist, writer and singer and forge a new musical identity that works best for me.
So I was delighted when my manager found the fantastic Phil Ogden who checked out my existing material and was interested in collaborating. I checked out Phil’s own work and was duly impressed by his range, texture and quality as a producer. Phil  sent me a couple of initial backing track ideas for me to consider which even in their basic form were amazingly inspirational and I instantly connected with them hearing plenty of top line melody and lyrical ideas. Phil and I haven’t met or even spoken yet, working entirely remotely via the internet, something I’d never done before but so far the experience has been a total pleasure and creatively we’re definitely on the same page.
At the same time I was also put in touch with my now good friend Michelle Jones to start co-writing new material together. I knew Michelle from the start of signing with Global Music Entertainment Group, we’d instantly clicked and I knew she was a good writer. So pretty soon I had a great little production team around me. Michelle is a joy to work with, always challenging me to raise my game and be as good as I can possibly be as a writer and singer, getting me to really think about how a song builds and works, the top line melody, harmonies and every lyric...she has a good instinct for a song and sharp antennae for detecting and quickly killing off anything cheesy.
The results of this dream team are 3 new song demos and there’s more to come in the pipeline, hope you enjoy:
There’s loads of exciting things planned for next year with more new songs, gigs and my first single release so here’s to a great 2012 x

Tuesday, 9 August 2011

2011 – New Musical Journeys...


Well my continuing musical journey into 2011 has been full of revelations and welcome surprises with new song writing collaborations, new musician friends made and old ones reacquainted. My last blog finished off with the completion of my promo album ‘debut’ at the end of September 2010. I then began my search for a management company to represent me as an artist and was very fortunate to find the fantastic Global Music Entertainment Group, we instantly clicked and I knew they were the right people to help me progress my music career and I signed with them in December 2010.
In February I collaborated with the extremely talented Sam Booth – the creative force behind the amazing The Nameless Girl and the experience was mind blowing. We co-wrote a new song called ‘In 2 Minds’ which I’m very proud of. In February I also recorded acoustic versions for You Tube of ‘In 2 Minds’ and my song ‘Everything’ and a cover version of one of my favourite songs by The Blue Nile called ‘From Rages to Riches’ with the help of my great friend Frank at www.luca-design.co.uk 
In March I teamed up with a great guitarist friend of mine Luke, after a few evenings round at his drinking and listening to tunes we realised we just clicked musically.  Luke is a fantastic guitarist creating loads of melody and atmosphere and is always Mr. Chilled. Luke and I added to my You Tube with a new version of my song ‘Everything’ and a cover of ‘The Cave’ by Mumford & Sons.
April presented the chance to grab a sunny day in my local town of Saffron Walden in Essex to have my latest photo shoot with the very talented and chilled Bruce Woods. We had a great day and a good laugh and I’m very happy with the shots - check them out
From May things have begun to really fly with my management pitching me to industry and the advice and support I’ve been given has been fantastic all the way. So far I’ve had interest from a top writer / producer involved with the X Factor interested in producing one of my songs, have secured an ‘In-Store’ licensing deal for my music in Europe and there’s more opportunities in the pipeline. I’m also planning to release my debut single and do a small promotional tour later in 2011 so watch this space.
Throughout 2011 I’ve also been working on new songs, working hard develop my sound and musical identity. I’m demoing new material in August with the aid of the very talented  Jon B from the amazing Cult With No Name which I’m very excited about so look forward to sharing this with you all soon.
Big Love
Charlie

Friday, 22 April 2011

Recording Experiences - Part 4 - Recording 'debut'


In June 2010, despite a successful audition and being subsequently offered a recording contract and publishing deal, my brief liaison with a certain small start up record company came to an abrupt end. I had entered into this doomed relationship in good faith, with clear focus and best endeavours but thankfully due to a mix of my seasoned ‘antennae for shysters’ being alert for once and a fatefully timed conversation with a friendly ally, I avoided signing my foreseeable life away and wasting more than the 3 precious months I already had. However I did come away from this potential car crash with two new like minded friends and that is worth celebrating.
So in the absence of any other potential lights on the horizon and after consulting my closest and much wiser friends, I decided I had no choice but to take a calculated leap of faith and spend some of my dwindling emergency savings even at a time when I could ill afford to. I knew if I was to have any real currency to respectably approach management and publishing companies as a singer / song writer or solo artist I would need to present the best set of songs I had, recorded and produced to the most professional standard I could afford and packaged accordingly. Note I was not intending to also approach record companies as these days without the standard expected minimum 10,000 plus active bona fide online fans, hard gigging track record and video footage to prove it, as well as a great songs, one would just be pissing in the wind.
I had recently tracked down an old friend who was the drummer in my old band. For the past 10 years he had been enjoying great success as a much sort after session and live drummer touring all around Europe and beyond and luckily for me was based back in the UK in our old stomping ground working for a leading established events and function band agency. It was a joy to speak to him again and hear that he was just the same light hearted, genuine, reliable and decent bloke he always was and I took this a sign that there could at last be a light at the end of the tunnel. He was pivotal in organising the first stages of my album recording, bringing two other fellow musicians of the highest calibre to the table as well as introducing me to the established and industry respected ‘Skyline Studios’ in Surrey and two extremely talented producer / engineers who have since become good friends.
Like all recordings made on a shoe string budget time was limited but sometimes that’s for the best as you have to commit and stand by your decisions or risk ‘fannying’ about and getting nothing done, which I confess if one of my poorer traits.  After deciding to drop a track that wasn’t in keeping with the others, I had material for a 10 track album.  Two of the tracks were piano based and purposefully stripped back and could be done later so I first had to capture the bones of the other 8.   
I hope they won’t mind me mentioning their names as I have only the highest praise for Wayne ‘Freddie’ Riches – Drums, Allan ‘A-Funk’ Salmon – Guitar and Russ ‘The Bass Ninja’ Carr – urrr Bass who learnt and developed 80% of my songs in 7 very sweaty hours, sandwiched between a very hectic  48 hour gigging schedule of much travel and stinking heat then laid them down with total professional application and care in only 8 more, also very sweaty hours; we definitely had a collective ‘bead on’ that weekend as they call it J
My engineer Sam, who I didn’t know at this point, was a total pro all day, working efficiently, tirelessly and carefully without breaks to ensure we got down what we needed to in the session and always coming up with impressive solutions when we needed guidance on how to approach a songs’ introduction, optimum tempo or feel. Amazingly we only overran by half an hour which everyone was thankfully happy to do and is also impressive I think considering the volume of quality work completed.
I had initially planned to complete my album by other means to save money but I quickly realised I would have recording continuity if I finished the album with Sam and things has begun so well it would be a shame to scrimp on the vital next stages. An opportunity arose in August which I grabbed.
I had booked 5 days in the studio with a view to recording the 2 piano based tracks, finishing production on all 10 and getting down as many of the final vocals takes as possible in the time, mixing and mastering to be arranged later, a familiar challenge to any musician without the financial backing a reputable recording company behind them...I was constantly plagued by an internal voice that said “you get what you pay for” and “more money = more time = better results” but I won’t apologise for my budget especially as I remain delighted with the results.
The sessions commenced well enough, acoustic guitars going down next where required (shredding my hands and wrists after so many years away from regular playing), additional electric guitar parts, keyboard lines and ongoing production. I was taking so much in all the time, learning all I could from Sam and pinching myself at the fact I was recording my ‘debut’ album when only a few months prior I’d just lost my job and everything had been thrown into disarray. I was aware of a sort of balance in myself beginning to return that I hadn’t felt for so many years and for the first time in ages I was in an environment where I belonged.
A special note of thanks must go here to my good friend Benny, who prior to me going back into the studio, contributed his extremely awesome guitarness at short notice to grace some of the key tracks on the album that needed some additional spice and gave me a good excuse to go Manchester.
So with most of the backing tracks down it was time to start recording the vocals. Then out of the blue I hit a wall. I couldn’t sing a note. My throat had been a little sore after the first weekend of rehearsal and recording the 8 backing tracks with guide vocals as I was rusty after years away from it but that had soon recovered. I wasn’t ill and I thought I was in a good frame of mind. The truth was I hadn’t slept well for the previous couple of nights despite staying in comfort with good friends; I was just churning stuff around in my head about the recording, stressing myself out about the best stylistic direction for the songs and the future if nothing happened as a result of all my efforts. I worked myself up into such a state I became kind of emotionally paralysed. Though getting this recording right, especially the vocals, was so vitally important to me and those I love the most, it was like all the years between when I had last been a full time musician and now, with all those nasty demons constantly questioning my whole raison d’ĂȘtre, decided to come crashing down on me all at once to jeopardise my recording.....those ‘black dogs’ had descended and were biting at my soul.    
Anyway Sam thankfully noticed my state and as I hope any good mate would do and prescribed just what the doctor ordered...a change of scenery and a bloody good night out on the town. I’d become so uptight over the course of the year, with a lot of stress and responsibility on my plate, I was like a taught spring ready to snap. So I got drunk, not stupidly but more than enough and smoked, after 8 years of having quit (but was too drunk to care) and smoked some more ‘other stuff’ and again (was too drunk to care) then slept like a stone. Next morning I woke to find I didn’t feel that jaded at all and actually felt very peaceful inside like I hadn’t for ages, by rights I should have felt like shit, this  amused me like I’d done something bad and had got away with it J
In that days’ session I laid down the vocals for 3 songs which came out great and felt amazing. Now I’m not advocating excessive drinking, smoking or ‘other smoking’ at all, it’s just what I needed to do to break the deadlock so I could finish my recording.
The rest of the recording went smoothly and I learnt so much, about myself, my music and the joy of working with other like minded people. Though I would have liked the budget to have had more time I know I came away with a fantastic result that I’m very proud of which I now know stood me in very good stead for the next stage of my journey.

Friday, 21 January 2011

Recording Experiences – Part 3



In September 2006 I sent some old demos I had recorded (with my great friend and collaborator Jon B of CWNN fame) to a vocal agency who I discovered were willing to present unknown singers for vocal session to give them a shot, and thankfully they took me onto their books with a view to putting me up for any session work they may deem me suitable for. It was a ray of hope at a time when I probably felt as low as I thought it was possible to feel without doing something stupid.

So 2006 became 2007 and I hadn’t heard anything. On Friday 23th March 2007 I was sitting at my desk at my then place of work bored out of my mind. My manager was away, the weather outside was crap, the office was quite and the phones were dead, just me on our floor facing the back of my only other colleague, there was no love lost between us.

Then my mobile rang, it was 11:30am:

Me: “Good morning, Charlie speaking”

Them: “Hi, is that Charlie? Great glad I caught you, this is (owner of the vocal agency) from (the vocal agency)”

Me: “Hi, how are you? Really good to hear from you”

Them: “I put you up for this vocal brief, it’s for an advert for road safety awareness in Ireland, the studio MD / composer of the track really liked your voice and thinks it may work for what they have in mind, there’s a couple of other people in the running but they’d like to try you out”.

Me: “That’s great news! Thanks for suggesting me, when’s the audition?”

Them: “In half an hour in Camden”

Me: (quickly in my head) Oh that’s fucking great! The first call I get from you in the six months since registering and you give me half an hours notice and I’m stuck at work. (then I thought) yeah but this is the most major exciting thing that’s happened in ages (aside from my wedding day and the birth of my two children of course) I’ve just got to do it and bugger the consequences. So I make my excuses and finish off the call in the office gents.

Me: “Urrr ok, as it happens I’m in North London anyway so that’s convenient, give me address and I’ll be there”.

Them: “That’s great Charlie, regardless of whether they hire you after the audition the studio will cover your taxi, best of luck and let me know how you get on”

As fate would have it I only worked ten minutes away from Camden and was due to go on my one hour lunch break anyway so actually it worked out rather well. I booked a cab on the company’s account and made it to the audition for 12 midday.

The audition was at HUM studios in London with Joe Glasman, award winning composer and HUM’s MD. At the end of the hours’ audition Joe said I’d got the job and I returned two days later to finish the track ‘I Can’t Take My Eyes Off You’ for the advert ‘The Faster The Speed The Bigger The Mess’.

The advert proved a big success in Ireland and generated notable interest on u-tube and in 2008 lead to a radio edit song version being commissioned.

With a concentrated PR campaign in place for October and November 2010, the track is currently enjoying a hugely positive response in Ireland, receiving regular airplay on local radio stations like Cool FM and the original road safety advert is being shown again on TV.

On October 1st 2010 HUM issued ‘I Can’t Take My Eyes Off You’ on itunes under the artists name of Avrutin & Charlie James, ahead of its official release on 15th November 2010.

I feel very fortunate and privileged to have been chosen to sing on such an emotionally powerful and poetic track for such an important cause.

Recording Experiences – Part 2



After I left music college I took a crappy local job in my home town so I could concentrate most of my time on my band back then. We worked hard rehearsing up to four evenings a week at the drummer’s house, a most desirable abode, conveniently detached with no neighbours to annoy, where one of the front rooms had become the local unofficial best free rehearsal room.

After a while we decided we were ready to record our first demo of three tracks and to save money did it in the living room of the drummer’s house. We had all our gear there, a sufficient desk and DAT recorder and a friend of the band who was suitably gifted to be our engineer so we were sorted.

When it came to recording the vocals I recall an inspired feat of ingenuity. As in most studios we wanted to capture the vocals in a sound proofed booth with as dead a sound as possible. So we upended the two large 7 foot leather sofas in the living room and sandwiched them together resembling a sort of upholstered Tardis. I was then ordered into the contraption, which was quite cosy at first but soon became extremely stifling, Once inside the remaining gaps were cemented with duvets and cushions. A small gap was left to squeeze through a microphone and then Bob’s your uncle and Fanny’s your aunt.

So in my quickly assembled upended leather coffin, in almost pitch blackness, buffeted by the fumes of ancient take-aways, stale dried sweat, cigarette ash, spilt alcohol and sweating like a porn star, I recorded my three vocal tracks.

Oh the hidden glamour of the penniless musician.

Recording Experiences – Part 1

In my time to date as a singer I’ve recorded my vocal takes in a variety of weird and wonderful venues with as many strange, talented, interesting and crazy people present to boot. From the state of the art plush recording studio with a 64 track ‘NASA flight desk’, to various friends’ cramped bedrooms, living rooms, kitchens, bathrooms, corridors, school drum rehearsal rooms and make shift home studios aplenty...all with varying results as one might expect.

Whilst with my first band at school aged only 16, I was lucky to record my first ever vocal takes in a professional studio in North London, courtesy of an old boy of the school who became an engineer and producer who knew one of our cooler teachers. It was a fantastic experience and I learnt a great deal, we did 3 tracks in a day for a very generous school boy’s discount of £50!

We all got on well with the producer who said we sounded quite tight for such a young band and had potential but also added his immortal words of advice that we sounded like we all needed a good F***! – I hate to admit it but he was so right.

I recall after we’d finished the recording the producer invited us into his studio lounge for a quick cupper before we left. He said he’d enjoyed the day and had a little parting gift for us.....he produced a bag of fresh Thai weed for each of us and further obliged us by rolling each of us one in turn. The etiquette of the moment was to smoke it there in the studio together so we did. Now I’m no drug expert, addict or advocator but this stuff was powerful. We left the studio in North London and some of the band went off somewhere else so it was just me and my good old friend ‘the drummer’. To this day, and I swear this is the God’s honest truth, the only thing I recall was waking up the next morning in a strange bed, in a strange house in Romford, Essex...how I got there is anyone’s guess.
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